Debtfair

If I look at this question from theoretical or conceptual point of view, my work has began to reflect these observations through its subject and mode of making. Frequently my practice is centered on themes of labour or labour relations, the process of "making it" as an artist among others. From a practical point of view: it couldn't be harder to be an artist and be in debt. Somehow our social structures have made this seem a natural occurrence, but it is not OK and it does affect what you make, how you make it and when you make your works. I believe artists are cultural workers, but I as such, I feel our place in society is determined only through sales and not through cultural contribution that we offer all the time. And if my economic realities were different possibly, my practice would be much more risk taking, much more experimental, and vastly more advanced.